hashtag / mentions
#deinbayern#visitbayern(+tag@visitbayern)#streetgrammers/#streetgrammers10k(+ tagstreet.grammers)@uni.regensburg(mark as collab) uni photos#regensburgregional(+ tag@regensburgregional)#japancityblues(follow and tag)#愛おしさという哲学- art-of-japan
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#fujifilmshooters#streetsineurope(+ tag@streetsineurope) focus europe#streetspremier(+ tag@streetspremier) focus general
Related
- 2026-05-06-Schreiben in Foto-Account, Zines, male loneliness Projekt — content-format direction: integrate text slides into the photo account, perspective toward zines (digital first, perhaps print later), and a new “male loneliness” image-series project.
- 2026-07-20-Events and meetups that fit me in Japan — the in-person distribution side: photowalks, one-on-one photoshoot collabs, and making reels for others as ways to grow the account and the practice beyond hashtags.
- 2026-05-10-Photo account jealousy - other artists getting more attention — the emotional pressure this strategy is meant to relieve: the user is comparing the account’s reach against other artists’ four days into the new creative-direction plan.
- 2026-05-30-Natsuki doesn’t understand me - deep understanding gap — three weeks later (5/30): photography surfaces as the first example of the relational understanding gap — when I show her a photo I took with my camera, which means a lot to me, what does she feel? Oftentimes I think she feels nothing.
- 2026-05-31-Natsuki - lack of understanding and looks — four weeks later (5/31): same gap re-encountered in a mental simulation — who I am as a person, what my thoughts are; photography is one of the two domains the gap covers (the other is the cosmology cluster).
- 2026-06-02-Relationship doubts and existential crisis after moving in — four weeks later (6/2): the most articulate single statement of what the photography practice is for, in the speaker’s own words — the artifact is a barely recognisable shadow that gets cast; that’s what Natsuki gets to see, and I want her, based on that, to know the shape of my heart. The photo-as-shadow image as the centre of the recognition-axis.
- 2026-06-03-ChatGPT analysis of the splinter - recognition wound and aesthetic regulation — four weeks later (6/3): the meta-reading that names aesthetic transcendence as regulatory system — music, photography, films, text, light are not hobbies, they are how the splinter is converted into form. The growth-strategy side of this page has its why re-grounded here.
- 2026-06-07-The shape of my heart - the breakup with Natsuki — five weeks later (6/7 01:53): the photo-as-shadow image promoted from photo-specific to a general theory of aesthetic artifacts as compatibility tests — song, movie, picture, text are all shadows of the shape of the heart you can show to people without telling them you are showing them. Photography’s why gets its most articulate statement: not a hobby, not just a craft, but the test artifact by which compatibility is silently judged. The painter-doesn’t-care-about-the-colour-palette analogy there is the photography-craft side stated negatively: the craft is for the meaning, not for itself.